Peter and the Starcatcher is the Tony Award-winning play with music upends the century-old story of how a miserable orphan became Peter Pan. Adapted from the novels by Dave Barry and Ridley Pearson, playwright Rick Elice playfully delivers marauding pirates, jungle tyrants, and unlikely heroes and comrades. In the end, Peter comes to understand the important and lasting bonds of friendship, duty, and love.

Peter and the Starcatcher is the Tony Award-winning play with music upends the century-old story of how a miserable orphan became Peter Pan. Adapted from the novels by Dave Barry and Ridley Pearson, playwright Rick Elice playfully delivers marauding pirates, jungle tyrants, and unlikely heroes and comrades. In the end, Peter comes to understand the important and lasting bonds of friendship, duty, and love.

Kaylee Arnold in recital, presented as part of their program of studies toward a degree in Music.FREE and open to the public.

URI Student Composers Concert: Come hear the newest of the new, created by talented young writers from the Music Department's composition program, performed by student musicians.FREE and open to the public.

The last concert from the student combo series. 'Tis the season to be jazzy!

The University Chorus, Dr. Elizabeth Woodhouse, director, and the URI Symphony Orchestra, Dr. Luis Víquez, director, with Nathaniel Baker, collaborative pianist, present seasonal selections and other music to cheer the soul. Each group on the program gets a featured portion and then combines for a massive send off. Not to be missed!

Sean Connaughton in recital completing his program of studies toward a degree in Music.FREE and open to the public.

Abby Giansiracusa, completes her program of studies toward a degree in Music with this, her senior voice recital.FREE and open to the public.

Watt Crosby presents a classical bass recital in partial fulfillment of his program of studies toward a degree in Music.FREE and open to the public.

The URI student chapter of the National Association for Music Edcuation (NAfME) is hosting a talent show on Saturday Dec. 14th at 6pm. You can particpate, or you can cheer your favorites. A great way to relieve some Final Exam stress! Contact the URI Music Department for more info.

A stunning, new translation of Euripides' play by a poet and classicist Anne Carson. Carson writes, "Euripides was a playwright of the fifth century BC who reinvented Greek tragedy, setting it on a path that leads straight to reality TV. His plays broke all the rules, upended convention and outraged conservative critics. Bakkhai is his most subversive play, telling the story of a man who cannot admit he would rather live in the skin of a woman, and a god who seems to combine all sexualities into a single ruinous demand for adoration."

A stunning, new translation of Euripides' play by a poet and classicist Anne Carson. Carson writes, "Euripides was a playwright of the fifth century BC who reinvented Greek tragedy, setting it on a path that leads straight to reality TV. His plays broke all the rules, upended convention and outraged conservative critics. Bakkhai is his most subversive play, telling the story of a man who cannot admit he would rather live in the skin of a woman, and a god who seems to combine all sexualities into a single ruinous demand for adoration."

A stunning, new translation of Euripides' play by a poet and classicist Anne Carson. Carson writes, "Euripides was a playwright of the fifth century BC who reinvented Greek tragedy, setting it on a path that leads straight to reality TV. His plays broke all the rules, upended convention and outraged conservative critics. Bakkhai is his most subversive play, telling the story of a man who cannot admit he would rather live in the skin of a woman, and a god who seems to combine all sexualities into a single ruinous demand for adoration."

A stunning, new translation of Euripides' play by a poet and classicist Anne Carson. Carson writes, "Euripides was a playwright of the fifth century BC who reinvented Greek tragedy, setting it on a path that leads straight to reality TV. His plays broke all the rules, upended convention and outraged conservative critics. Bakkhai is his most subversive play, telling the story of a man who cannot admit he would rather live in the skin of a woman, and a god who seems to combine all sexualities into a single ruinous demand for adoration."

Hailed as the perfect musical comedy, this award-winning classic gambles with luck and love under the bright lights of Broadway. "Count me squarely in the Guys and Dolls camp. If there's a flaw to be found in the 1950 'music fable of Broadway,' based on characters created by journalist/short story writer Damon Runyon, it's not in the Jo Swerling and Abe Burrows' drum-tight book. And it's certainly not in Frank Loesser's honey of a score." -New York Stage Review

Hailed as the perfect musical comedy, this award-winning classic gambles with luck and love under the bright lights of Broadway. "Count me squarely in the Guys and Dolls camp. If there's a flaw to be found in the 1950 'music fable of Broadway,' based on characters created by journalist/short story writer Damon Runyon, it's not in the Jo Swerling and Abe Burrows' drum-tight book. And it's certainly not in Frank Loesser's honey of a score." -New York Stage Review

Hailed as the perfect musical comedy, this award-winning classic gambles with luck and love under the bright lights of Broadway. "Count me squarely in the Guys and Dolls camp. If there's a flaw to be found in the 1950 'music fable of Broadway,' based on characters created by journalist/short story writer Damon Runyon, it's not in the Jo Swerling and Abe Burrows' drum-tight book. And it's certainly not in Frank Loesser's honey of a score." -New York Stage Review

Hailed as the perfect musical comedy, this award-winning classic gambles with luck and love under the bright lights of Broadway. "Count me squarely in the Guys and Dolls camp. If there's a flaw to be found in the 1950 'music fable of Broadway,' based on characters created by journalist/short story writer Damon Runyon, it's not in the Jo Swerling and Abe Burrows' drum-tight book. And it's certainly not in Frank Loesser's honey of a score." -New York Stage Review

Hailed as the perfect musical comedy, this award-winning classic gambles with luck and love under the bright lights of Broadway. "Count me squarely in the Guys and Dolls camp. If there's a flaw to be found in the 1950 'music fable of Broadway,' based on characters created by journalist/short story writer Damon Runyon, it's not in the Jo Swerling and Abe Burrows' drum-tight book. And it's certainly not in Frank Loesser's honey of a score." -New York Stage Review

Hailed as the perfect musical comedy, this award-winning classic gambles with luck and love under the bright lights of Broadway. "Count me squarely in the Guys and Dolls camp. If there's a flaw to be found in the 1950 'music fable of Broadway,' based on characters created by journalist/short story writer Damon Runyon, it's not in the Jo Swerling and Abe Burrows' drum-tight book. And it's certainly not in Frank Loesser's honey of a score." -New York Stage Review